fbpx

Top 1940s Celebrity Feuds

In Hollywood's world, stories of rivalry and camaraderie reveal the intricate relationships shaping the entertainment industry. From legendary actresses to iconic comedic duos, these accounts show how personal dynamics influence public personas and leave lasting marks on cinematic history.

1. Bette Davis vs. Joan Crawford

Bette Davis and Joan Crawford were Hollywood's dramatic divas with a legendary rivalry. The feud allegedly started when Bette starred in Dangerous opposite Franchot Tone, with whom she was smitten. However, Crawford married Tone, leaving Davis fuming.

In 1962, they shared the screen in What Ever Happened to Baby Jane? Their on-set antics were as entertaining as the movie itself. When Davis landed an Oscar nomination for her role and Crawford didn't, Joan cleverly maneuvered her way onto the Oscars stage anyway, accepting an award on behalf of winner Anne Bancroft.

Off-screen, their snark continued. Davis famously quipped about Crawford's passing in 1977, showing their feud lasted to the end:

"You should never say bad things about the dead, you should only say good. Joan Crawford is dead. Good."

Their rivalry didn't just entertain the press but captivated audiences and added an unforgettable spice to Hollywood lore.

Bette Davis and Joan Crawford in a tense scene from What Ever Happened to Baby Jane?

2. Olivia de Havilland vs. Joan Fontaine

The de Havilland sisters, Olivia and Joan, epitomized sibling rivalry in Hollywood. Born a year apart, these leading ladies of the 1940s shared a passion for acting, but their relationship was marked by competition.

The tension allegedly began in childhood and intensified when both competed for the same roles in Hollywood. Joan took action, adopting the stage name Fontaine. Their famous showdown came at the 1942 Oscars when both were nominated for Best Actress. Joan won for Suspicion, leaving Olivia to applaud politely. Olivia had her turn four years later, winning for To Each His Own.

Despite fleeting reconciliations, their rivalry endured. When Joan joked that Olivia might be upset if she died first, it revealed the competitive core of their relationship. Through all their drama, each left an indelible mark on cinematic history, individually brilliant yet eternally intertwined.

Olivia de Havilland and Joan Fontaine at the Academy Awards, looking elegant but tense

3. Jerry Lewis vs. Dean Martin

Jerry Lewis and Dean Martin were a comedic duo whose chemistry captivated audiences for a decade. Blending Martin's smooth charm with Lewis's outlandish slapstick, they formed an unstoppable force in entertainment. Yet as they approached their tenth anniversary, the duo was on the verge of separation.

Their contrasting personalities led to tension. Dean, more inclined to relaxation, clashed with Jerry's tireless work ethic. As Jerry's prominence grew, it began to overshadow Dean's contribution, leading to an unspoken power struggle. Their partnership began to resemble a brittle veneer.

Their parting was as public as their acts had been intimate, leaving fans puzzled. The split allowed both artists to follow their own pathsโ€”Dean finding his place among the Rat Pack and Jerry continuing to innovate comedy. Years later, they rekindled a semblance of friendship, meeting once more on stage in the 1970s.

While their partnership ended, their legacy endured, reminding us that even in Hollywood, personal dynamics can fracture collaboration yet leave behind a cherished legacy.

Jerry Lewis and Dean Martin on stage during their comedy act

4. Vivian Vance vs. William Frawley

Vivian Vance and William Frawley brought life to Ethel and Fred Mertz on I Love Lucy, but behind the scenes, their relationship was far from cozy. Their discord began when Vance, feeling youthful at 39, was dismayed at being cast opposite the 64-year-old Frawley.

Their disdain for each other was no secret. Frawley, known for his cantankerous nature, often hurled insults at Vance. In return, Vance maintained professionalism but made her feelings clear during scenes requiring physical closeness.

Despite their mutual loathing, their on-screen chemistry was undeniable. Their animosity seemed to enrich their portrayal of Ethel and Fred, infusing their comedic timing with authenticity. The bickering that captured viewers' hearts mirrored their true emotions.

As I Love Lucy ran for nine years, the two never reconciled. However, their professional synergy illustrated how creative tension can yield comedic gold. Through grit and begrudging collaboration, Vance and Frawley crafted a timeless portrayal of marital discord that entertained and endured.

Vivian Vance and William Frawley as Ethel and Fred Mertz in I Love Lucy

5. Orson Welles vs. William Randolph Hearst

Orson Welles and William Randolph Hearst's conflict began with the creation of Citizen Kane, a film that would come to symbolize young Hollywood's audacity versus old media's might. At 24, Welles embarked on his first film with RKO Pictures, crafting a story inspired by Hearst's life.

Hearst, a powerful newspaper mogul, was displeased when he learned that the character Charles Foster Kane resembled himself. He unleashed his media arsenal, marked by blackouts and threats of lawsuits. His gossip columnists engaged in a campaign to dismantle Citizen Kane's prospects, with studios refusing to screen the film or run its advertisements.

Despite Hearst's efforts, Citizen Kane not only survived but thrived over time, becoming a beloved masterpiece. Though initially a commercial flop, Welles' defiance earned him a unique spot in cinematic history.

The clash between Welles and Hearst redefined Hollywood's creative boundaries and showed how art could stand against power. This tale of integrity versus influence continues to resonate, offering a lesson in the resilience of storytelling and film's power to challenge even formidable adversaries.

Orson Welles directing a scene from Citizen Kane

These stories remind us that behind legendary performances lie webs of human emotions that enrich our understanding of those who have graced the silver screen. Their legacies endure because of their talent and the compelling human stories that continue to captivate audiences worldwide.

  1. Higham C. Sisters: The Story of Olivia de Havilland and Joan Fontaine. Coward McCann; 1987.
  2. Freedland M. Fred Astaire. Grosset & Dunlap; 1976.
  3. Rogers G. Ginger: My Story. HarperCollins; 1991.